Written to accompany the release of the now-vanished (and eagerly sought-after) Damien Fitzsimmons mixtape, To All Those Who Have Disrespected Me, this piece was published in the ‘best new music’ column of the New Statesman. It shows Mr Kissinger in full flight as he paints a portrait of a flawed yet sincere artist at the nadir of his personal life and, paradoxically, the height of his creative expression. Two masters at work.